Motorin knows that his visualization of that idea may not be obvious, but he believes motion design doesn’t need to always be understandable, particularly for personal projects that are more about exploring creativity.Īs he does with most projects, Motorin began by making a Pinterest mood board using images he found online after doing a search for visualisations of digital data. He created the scene using Red Giant’s Trapcode Form.
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“At the molecular level, if you want to put it that way, the digital world is a binary code of ones and zeros,” he continues, explaining that he thought of that code becoming pixels with information flowing through them. “There was an episode where a character used a helmet to bring the protagonist inside the digital world, and I liked the scene so much and decided to dig deeper into what the digital world might consist of,” he says. Motorin says his inspiration came from Starz network’s American Gods series. Envisioning Big DataĪmong his most attention-getting projects is Big Data, a short video Motorin describes as “an experiment about what I feel big data may look like.” Made using a combination of Cinema 4D, Redshift, After Effects and Red Giant tools, Big Data was originally conceived as a couple of images on Instagram.
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People were writing to ask me to do 2D work when I really wanted to do 3D graphics, and I realised I needed to focus on posting 3D projects and create a portfolio of work. “Posting my animations on Dribbble opened up a whole world for me, and I was contacted by customers from all over the world,” Motorin says, adding that Behance and Videohive have also been helpful. Most of those projects are posted on Behance, and he thinks of them as examples of what he’d really like to do as a 3D motion designer. Naturally curious and interested in learning, Motorin often spends his free time on personal projects that help enhance his skill set. Nearly a decade later, after working at a small studio where he learned the principles of animation, Motorin is a busy freelance motion designer and art director who primarily uses Cinema 4D, Redshift and After Effects in his work.
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“At that time, I didn’t know how to do anything, so it felt magical to be able to make that,” he recalls. After creating some simple lower thirds, he made a promo video for a friend’s band in After Effects and everyone liked it.
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Russia-based motion designer Pasha Motorin was studying TV journalism that included a class on video design when he realised he would rather make graphics than be a reporter. Originally published on by Meleah Maynard